Poetry Curriculum: Difference between revisions
Created page with "Poetry is currently separate from the rest of the literature curriculum because it is undeniably insular. Most poems are not about worldview or history or narrative or society. Poetry is about itself and perpetual things: God, life and death, sex, aging, the seasons. (Poems that do directly speak to history and society are included in the history curriculum.) This curriculum is intended to initiate students into that rarest of traits: genuine appreciation of poetry. I..." |
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[UNDER CONSTRUCTION] |
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Poetry is currently separate from the rest of the literature curriculum because it is undeniably insular. Most poems are not about worldview or history or narrative or society. Poetry is about itself and perpetual things: God, life and death, sex, aging, the seasons. (Poems that do directly speak to history and society are included in the history curriculum.) |
Poetry is currently separate from the rest of the literature curriculum because it is undeniably insular. Most poems are not about worldview or history or narrative or society. Poetry is about itself and perpetual things: God, life and death, sex, aging, the seasons. (Poems that do directly speak to history and society are included in the history curriculum.) |
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Before we can get to poetry's fundamental role in reshaping not just human society but man's relationship to God and the cosmos, it's good to appreciate play with sound and symbol for their own sake. |
Before we can get to poetry's fundamental role in reshaping not just human society but man's relationship to God and the cosmos, it's good to appreciate play with sound and symbol for their own sake. |
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== Lessons in Elemental Poetry == |
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Dr. Seuss |
Dr. Seuss |
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Riddles |
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Reading Meters |
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-> |
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Metaphors, Conceits & Allegories |
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Alliteration |
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Consonance & Assonance |
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Synecdoche & Metonymy |
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Hyperbole & Subtlety |
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Personification |
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Voice |
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Imagery |
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Utterance |
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Haiku |
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Ballad |
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Lyric |
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Elegies & Odes |
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Pastorals |
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Sonnets |
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Couplets & Epigrams |
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Translation |
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Epic |
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Prophecy |
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For young men: how to talk to women in riddles and poems and tell them that they're beautiful in the proper way |
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== Lessons in Reading == |
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Anglo Saxons |
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Chaucer |
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Shakespeare |
Shakespeare |
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John Donne |
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The Metaphysicals |
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Edmund Spenser |
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-.> |
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John Milton |
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British Ballads |
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George Herbert |
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American Ballads |
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William Blake |
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The Romantics |
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Samuel Taylor Coleridge |
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The Moderns |
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John Keats |
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American Pop Standards |
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William Butler Yeats |
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The Postmoderns: Billy Collins; |
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T.S. Eliot |
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70s singer-songwriter lyricism and the underground canon; |
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== Smash Glass for Poems == |
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And yes, Rap, the only major living form of popular social poetry |
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In case of emergency, break open this list: |
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[[Emergency Poems]] |
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[[Silly Poems]] |
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[[Aesthetic Poems]] |
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Prophetic speech |
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== Canons of English Poetry == |
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==== Anglo Saxons ==== |
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==== Middle English ==== |
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== 1. Teaching with Dr. Seuss == |
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==== Tudor & Elizabethan ==== |
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==== Baroque ==== |
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==== Augustan ==== |
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==== Graveyard Poets ==== |
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==== Sensibility ==== |
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==== Romantics ==== |
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- - - |
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==== Victorians ==== |
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==== Transcendentalists, New England & Gothic Americans ==== |
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To a Waterfowl |
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==== Pre-Raphaelites & Arts and Crafts Poets ==== |
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BY WILLIAM CULLEN BRYANT |
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==== Child Ballads ==== |
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The Bridge: A Poem |
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==== Decadents & Fin-de-Siècle ==== |
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Hart Crane |
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==== War Poets & Georgians, Imagists & Modernists ==== |
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A Martian Sends a Postcard Home |
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==== British Surrealism ==== |
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Craig Raine |
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==== Postwar Poets ==== |
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The Task |
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'''American Folk Songs''' |
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==== The Postmodern Academics ==== |
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William Cowper |
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After World War II, poetry became regulated through the university credential apparatus. As such, it rapidly lost almost all social relevance and vanished from public life except for those who participate in the carefully sterilized environment of the academy. |
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[[William Logan]] |
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God's Grandeur |
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[[Bill Knott]] |
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The Windhover: To Christ Our Lord |
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William Stafford |
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Pied Beauty |
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Robert Bly |
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Gerard Manley Hopkins |
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James Tate - Worshipful Company of Fletchers (book), Thomas Lux, David Shapiro, Robert Pinksy |
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The Homes of England, by Felicia Hemans |
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Upon Appleton House - Marvell |
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Among Schoolchildren; Easter, 1916; Sailing to Byzantium; The Wild Swans at Coole- Yeats |
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Soft suburban: Billy Collins, Charles Harper Webb, Stephen Dunn, C.K. Williams, John Koethe, David St. John, Ron Padgett, Robert Wrigley, Jim Daniels, Dean Young |
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Tennyson - Tithonus |
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==== Anglo-American Pop Lyricism ==== |
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Rock n roll, 70s singer-songwriter lyricism and the underground canon, art pop, the bohemian bourgeois |
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Rap |
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To Althea, From Prison - Richard Lovelace |
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Independent Rock |
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The Widow's Lament in Springtime; Spring and All |
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William Carlos Williams |
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The Collar |
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== Basic List of English Poets == |
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George Herbert |
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Easter-Wings |
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Geoffrey Chaucer (1343–1400) |
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George Herbert |
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To the Virgins, to Make Much of Time |
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John Gower (1330–1408) |
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BY ROBERT HERRICK |
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La Belle Dame sans Merci, Ode to A Nightingale - Keats |
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Thomas Hoccleve (1368–1426) |
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The Passionate Shepherd to His Love |
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Christopher Marlowe |
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John Lydgate (1370–1451) |
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The Darkling Thrush |
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Thomas Hardy |
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Sir Thomas Wyatt (1503–1542) |
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This Lime-Tree Bower My Prison |
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Frost at Midnight |
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Henry Howard, Earl of Surrey (1517–1547) |
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Samuel Taylor Coleridge |
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Anecdote of the Jar |
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George Gascoigne (1534–1577) |
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Wallace Stevens |
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The White Man's Burden |
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Edmund Spenser (1552–1599) |
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Rudyard Kipling |
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The Blessed Damozel - Dante Gabriel Rossetti |
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Sir Philip Sidney (1554–1586) |
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The Deserted Village |
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Oliver Goldsmith |
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William Shakespeare (1564–1616) |
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For the Union Dead |
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Robert Lowell |
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Christopher Marlowe (1564–1593) |
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Ars Poetica |
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BY ARCHIBALD MACLEISH |
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Samuel Daniel (1562–1619) |
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When I Heard the Learn'd Astronomer |
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A Noiseless Patient Spider |
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Michael Drayton (1563–1631) |
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I Hear America Singing |
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Walt Whitman |
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Ben Jonson (1572–1637) |
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Mac Flecknoe |
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John Dryden |
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John Donne (1572–1631) |
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To an Athlete Dying Young |
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A. E. Housman |
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George Chapman (1559–1634) |
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Thanatopsis |
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William Cullen Bryant |
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Thomas Campion (1567–1620) |
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A Slumber Did My Spirit Seal |
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William Wordsworth |
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Aemilia Lanyer (1569–1645) |
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Church Going |
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Philip Larkin |
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Robert Herrick (1591–1674) |
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The Sick Rose |
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William Blake |
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George Herbert (1593–1633) |
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Miniver Cheevy by Edwin Arlington Robinson |
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The Canonization |
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Richard Lovelace (1617–1657) |
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John Donne |
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The New Colossus |
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Andrew Marvell (1621–1678) |
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Emma Lazarus |
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Hugh Selwyn Mauberley |
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Henry Vaughan (1621–1695) |
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Ezra Pound |
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Abraham Cowley (1618–1667) |
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Katherine Philips (1632–1664) |
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John Milton (1608–1674) |
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John Dryden (1631–1700) |
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Thomas Traherne (1636–1674) |
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Matthew Prior (1664–1721) |
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Jonathan Swift (1667–1745) |
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Alexander Pope (1688–1744) |
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Lady Mary Wortley Montagu (1689–1762) |
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James Thomson (1700–1748) |
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Edward Young (1683–1765) |
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Samuel Johnson (1709–1784) |
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Thomas Gray (1716–1771) |
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William Collins (1721–1759) |
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Christopher Smart (1722–1771) |
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Oliver Goldsmith (1728–1774) |
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William Cowper (1731–1800) |
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George Crabbe (1754–1832) |
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Robert Burns (1759–1796) |
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William Blake (1757–1827) |
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Mary Robinson (1757–1800) |
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Charlotte Smith (1749–1806) |
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Samuel Taylor Coleridge (1772–1834) |
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William Wordsworth (1770–1850) |
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Walter Savage Landor (1775–1864) |
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Lord Byron (1788–1824) |
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Percy Bysshe Shelley (1792–1822) |
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John Keats (1795–1821) |
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Felicia Hemans (1793–1835) |
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Letitia Elizabeth Landon (1802–1838) |
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Thomas Hood (1799–1845) |
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Thomas Moore (1779–1852) |
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Thomas Lovell Beddoes (1803–1849) |
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Elizabeth Barrett Browning (1806–1861) |
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Alfred, Lord Tennyson (1809–1892) |
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Edgar Allan Poe (1809–1849) |
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Robert Browning (1812–1889) |
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Henry Wadsworth Longfellow (1807–1882) |
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Emily Brontë (1818–1848) |
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Walt Whitman (1819–1892) |
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Matthew Arnold (1822–1888) |
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Herman Melville (1819–1891) |
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Coventry Patmore (1823–1896) |
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Christina Rossetti (1830–1894) |
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Dante Gabriel Rossetti (1828–1882) |
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William Morris (1834–1896) |
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Algernon Charles Swinburne (1837–1909) |
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Gerard Manley Hopkins (1844–1889) |
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Thomas Hardy (1840–1928) |
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A. E. Housman (1859–1936) |
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Oscar Wilde (1854–1900) |
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Francis Thompson (1859–1907) |
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Rudyard Kipling (1865–1936) |
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William Butler Yeats (1865–1939) |
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Ernest Dowson (1867–1900) |
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Lionel Johnson (1867–1902) |
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John Davidson (1857–1909) |
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Laurence Binyon (1869–1943) |
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Ezra Pound (1885–1972) |
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T. E. Hulme (1883–1917) |
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Ford Madox Ford (1873–1939) |
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T. S. Eliot (1888–1965) |
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Marianne Moore (1887–1972) |
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H.D. (Hilda Doolittle) (1886–1961) |
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William Carlos Williams (1883–1963) |
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Vachel Lindsay (1879–1931) |
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Carl Sandburg (1878–1967) |
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Robert Frost (1874–1963) |
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Wallace Stevens (1879–1955) |
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John Masefield (1878–1967) |
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Siegfried Sassoon (1886–1967) |
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Rupert Brooke (1887–1915) |
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Wilfred Owen (1893–1918) |
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Isaac Rosenberg (1890–1918) |
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Edna St. Vincent Millay (1892–1950) |
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Hart Crane (1899–1932) |
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Latest revision as of 01:28, 3 June 2026
[UNDER CONSTRUCTION]
Poetry is currently separate from the rest of the literature curriculum because it is undeniably insular. Most poems are not about worldview or history or narrative or society. Poetry is about itself and perpetual things: God, life and death, sex, aging, the seasons. (Poems that do directly speak to history and society are included in the history curriculum.)
This curriculum is intended to initiate students into that rarest of traits: genuine appreciation of poetry.
I hated poetry in middle school and the lights did not flash on until I was in college. Thank you, Dr. Grieser. I began to read poetry voraciously, and compose on occasion.
Because of this, I don't expect young students to have aesthetic appreciation for fine letters. This curriculum might be better suited for someone in upper secondary or college who somehow has been struck by words and wants to understand what has just happened to them.
Before we can get to poetry's fundamental role in reshaping not just human society but man's relationship to God and the cosmos, it's good to appreciate play with sound and symbol for their own sake.
Lessons in Elemental Poetry
Dr. Seuss
Riddles
Reading Meters
Metaphors, Conceits & Allegories
Alliteration
Consonance & Assonance
Synecdoche & Metonymy
Hyperbole & Subtlety
Personification
Voice
Imagery
Utterance
Haiku
Ballad
Lyric
Elegies & Odes
Pastorals
Sonnets
Couplets & Epigrams
Translation
Epic
Prophecy
For young men: how to talk to women in riddles and poems and tell them that they're beautiful in the proper way
Lessons in Reading
Anglo Saxons
Chaucer
Shakespeare
John Donne
Edmund Spenser
John Milton
George Herbert
William Blake
Samuel Taylor Coleridge
John Keats
William Butler Yeats
T.S. Eliot
Smash Glass for Poems
In case of emergency, break open this list:
Canons of English Poetry
Anglo Saxons
Middle English
Tudor & Elizabethan
Baroque
Augustan
Graveyard Poets
Sensibility
Romantics
Victorians
Transcendentalists, New England & Gothic Americans
Pre-Raphaelites & Arts and Crafts Poets
Child Ballads
Decadents & Fin-de-Siècle
War Poets & Georgians, Imagists & Modernists
British Surrealism
Postwar Poets
American Folk Songs
The Postmodern Academics
After World War II, poetry became regulated through the university credential apparatus. As such, it rapidly lost almost all social relevance and vanished from public life except for those who participate in the carefully sterilized environment of the academy.
William Stafford
Robert Bly
James Tate - Worshipful Company of Fletchers (book), Thomas Lux, David Shapiro, Robert Pinksy
Soft suburban: Billy Collins, Charles Harper Webb, Stephen Dunn, C.K. Williams, John Koethe, David St. John, Ron Padgett, Robert Wrigley, Jim Daniels, Dean Young
Anglo-American Pop Lyricism
Rock n roll, 70s singer-songwriter lyricism and the underground canon, art pop, the bohemian bourgeois
Rap
Independent Rock
Basic List of English Poets
Geoffrey Chaucer (1343–1400)
John Gower (1330–1408)
Thomas Hoccleve (1368–1426)
John Lydgate (1370–1451)
Sir Thomas Wyatt (1503–1542)
Henry Howard, Earl of Surrey (1517–1547)
George Gascoigne (1534–1577)
Edmund Spenser (1552–1599)
Sir Philip Sidney (1554–1586)
William Shakespeare (1564–1616)
Christopher Marlowe (1564–1593)
Samuel Daniel (1562–1619)
Michael Drayton (1563–1631)
Ben Jonson (1572–1637)
John Donne (1572–1631)
George Chapman (1559–1634)
Thomas Campion (1567–1620)
Aemilia Lanyer (1569–1645)
Robert Herrick (1591–1674)
George Herbert (1593–1633)
Richard Lovelace (1617–1657)
Andrew Marvell (1621–1678)
Henry Vaughan (1621–1695)
Abraham Cowley (1618–1667)
Katherine Philips (1632–1664)
John Milton (1608–1674)
John Dryden (1631–1700)
Thomas Traherne (1636–1674)
Matthew Prior (1664–1721)
Jonathan Swift (1667–1745)
Alexander Pope (1688–1744)
Lady Mary Wortley Montagu (1689–1762)
James Thomson (1700–1748)
Edward Young (1683–1765)
Samuel Johnson (1709–1784)
Thomas Gray (1716–1771)
William Collins (1721–1759)
Christopher Smart (1722–1771)
Oliver Goldsmith (1728–1774)
William Cowper (1731–1800)
George Crabbe (1754–1832)
Robert Burns (1759–1796)
William Blake (1757–1827)
Mary Robinson (1757–1800)
Charlotte Smith (1749–1806)
Samuel Taylor Coleridge (1772–1834)
William Wordsworth (1770–1850)
Walter Savage Landor (1775–1864)
Lord Byron (1788–1824)
Percy Bysshe Shelley (1792–1822)
John Keats (1795–1821)
Felicia Hemans (1793–1835)
Letitia Elizabeth Landon (1802–1838)
Thomas Hood (1799–1845)
Thomas Moore (1779–1852)
Thomas Lovell Beddoes (1803–1849)
Elizabeth Barrett Browning (1806–1861)
Alfred, Lord Tennyson (1809–1892)
Edgar Allan Poe (1809–1849)
Robert Browning (1812–1889)
Henry Wadsworth Longfellow (1807–1882)
Emily Brontë (1818–1848)
Walt Whitman (1819–1892)
Matthew Arnold (1822–1888)
Herman Melville (1819–1891)
Coventry Patmore (1823–1896)
Christina Rossetti (1830–1894)
Dante Gabriel Rossetti (1828–1882)
William Morris (1834–1896)
Algernon Charles Swinburne (1837–1909)
Gerard Manley Hopkins (1844–1889)
Thomas Hardy (1840–1928)
A. E. Housman (1859–1936)
Oscar Wilde (1854–1900)
Francis Thompson (1859–1907)
Rudyard Kipling (1865–1936)
William Butler Yeats (1865–1939)
Ernest Dowson (1867–1900)
Lionel Johnson (1867–1902)
John Davidson (1857–1909)
Laurence Binyon (1869–1943)
Ezra Pound (1885–1972)
T. E. Hulme (1883–1917)
Ford Madox Ford (1873–1939)
T. S. Eliot (1888–1965)
Marianne Moore (1887–1972)
H.D. (Hilda Doolittle) (1886–1961)
William Carlos Williams (1883–1963)
Vachel Lindsay (1879–1931)
Carl Sandburg (1878–1967)
Robert Frost (1874–1963)
Wallace Stevens (1879–1955)
John Masefield (1878–1967)
Siegfried Sassoon (1886–1967)
Rupert Brooke (1887–1915)
Wilfred Owen (1893–1918)
Isaac Rosenberg (1890–1918)
Edna St. Vincent Millay (1892–1950)
Hart Crane (1899–1932)
- - -