Cinema Curriculum

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The key to understanding the 20th century and the cultural power of the American empire lies in interpreting film, and the infrastructure behind it.

Because the art of cinema naturally lends itself to sensuality, this curriculum is intended for secondary students and undergraduates at a level of maturity where they will not be disturbed by depictions of violence or infatuated with depictions of sexuality.

Remember: moving pictures are an illusion of life. Just because it's animated does not mean it has a living spirit. God requires that we do not worship images. We must not love them; we must taste test them instead. Marvelously, imagination mingles with reality. Our enjoyment should be in appreciating how films help us bring reality into focus more clearly. If they fail in that, there is nothing left to do but disparage them.

As such we need to hone our critical faculties.

Welcome to earth's Primitive Cinematic Neanderthrashings.


Invention & Early Days

Melies, Lumiere, Edison

Early 20th

D.W. Griffith

Foreign Film Industries

German Expressionism

French Impressionism

Soviet Propaganda & Film Theory

Soviet Montage

Jazz Age & Synchronous Sound

Buster Keaton

Jazz Singer

Disney, Monsters, and Propaganda

American World War II Propaganda

National Socialist Propaganda

TechniColor, Wizard of Oz

Snow White

Genre Studies:

Swashbucklers

Westerns

Epics

Noir

Drama

Early Experimental

Musical & Dance

Japanese Cinema

jidaigeki - period drama

gendaigeki - contemporary drama

1937 - Humanity and Paper Balloons

Sadao Yamanaka

Gosho

Shimazu

Naruse

Ozu vs. Mizoguchi - slow vs. fast

Kurosawa

Kaiju

GOJIRA!

The Arthouse

Italian Neorealism

Society of the Spectacle

Widescreen

Epic Adventure, Sword & Sandal Films

50s Masculinity

Sci Fi and Cold War Paranoia

50s Musicals

Hitchcock & Auteur Theory

Ingmar Bergman

French New Wave

Cahiers du Cinema

Godard

La Jetee

Tati

Auteur Theory

Documentary & Cinéma vérité

Hollywood Decay - 60s and 70s

lost theatre chains and also had to compete with television; crazy riots and cultural revolution; ticket sales falling;

Exploitation films

Harryhausen

James Bond

Spaghetti Westerns

New Hollywood Cinema

Spielberg

Coppola

Scorsese

George Lucas

Mike Nichols & The Graduate